Equipment
Launching your web radio, your podcast or your channel with RadioInternet? Here is the audio gear we select for our creators: microphones that forgive untreated rooms, headphones made to hear the truth of your mix, and the interfaces that plug it all together properly. Every item is chosen for a specific use — yours — not because it is fashionable.
Complete transparency. The links on this page lead to ordinary Amazon.ca product pages: RadioInternet is not yet a member of the Amazon Associates program, and these links earn us no commission — the price you pay is Amazon.ca’s price, period. If enrolment in the program happens one day, this note will be updated and the links will become affiliate links, still at no extra cost to you. The selection below is independent: no manufacturer pays to appear here, and a product can be removed from the page if it stops being relevant to our creators. We have not tested each of these devices in the studio: these are selections based on the real uses of web radio and podcasting, not hands-on reviews.
A note on prices. Prices change often on Amazon.ca. When a budget is shown, it is dated and approximate — the only price that counts is the one displayed on Amazon.ca when you buy.
Who it is for: the creator who is starting out and does not want to buy another microphone in six months.
Why it is here: it plugs in by USB straight into the computer today, and by XLR into an interface tomorrow. Dynamic and cardioid, it forgives echoing rooms — the lot of almost every home studio.
Budget: price to check on Amazon.ca.
Who it is for: the host who talks for hours, live or in a podcast, and wants the “radio” look and sound.
Why it is here: a broadcast-style dynamic microphone with an internal pop filter and shock mount: it is designed for close-up spoken voice, mounted on an arm. XLR only — it needs an interface (see section 3).
Budget: about $139 (price spotted on Amazon.ca on October 7, 2026 — indicative only).
Who it is for: the creator who records alone, often on video, and wants to plug in simply without closing any doors.
Why it is here: USB-C and XLR on the same microphone, Shure’s “podcast/broadcast” design, with built-in digital processing on the USB side. It is this page’s “one microphone for a long time” choice.
Budget: price to check on Amazon.ca.
Who it is for: anyone who already has (or aims for) an interface or a console, and will not pay for a USB port they will never use.
Why it is here: the same vocal family as the MV7+, without the USB electronics: the budget goes into the capsule, not the extras.
Budget: price to check on Amazon.ca.
Who it is for: the creator who has a quiet, treated room and wants more detail and “air” on the voice or the instruments.
Why it is here: a condenser picks up more detail than a dynamic microphone — an advantage only if the room follows. We select it for voice-overs and careful sessions, not for noisy kitchens.
Budget: price to check on Amazon.ca.
Who it is for: everyone, starting with anyone who hosts live: you need closed headphones so the microphone does not hear the monitor return.
Why it is here: it is the reference headphone of studios and radio control rooms — a flat response, repairable construction, a contained price. Foldable, long cable, ¼″ adapter included.
Budget: price to check on Amazon.ca.
Who it is for: the creator who mixes and edits for hours and wants a more comfortable closed headphone, with detachable cables.
Why it is here: closed (so usable while recording voice), foldable, three detachable cables in the box — it serves recording as well as editing.
Budget: price to check on Amazon.ca.
Who it is for: the solo host: one XLR microphone, one headphone output, nothing superfluous.
Why it is here: THE serious entry-level choice for years — a clean preamp, the “Air” mode, and starter software included. If you are alone at your microphone, it is often enough.
Budget: about $195 (price spotted on Amazon.ca during preparation — indicative only, to be rechecked).
Who it is for: anyone who hosts a guest in the studio, plugs in an instrument, or wants the best conversion in this range.
Why it is here: two microphone/line inputs, autogain and clip protection on the 4th generation — features that save takes when you are hosting and cannot watch everything.
Budget: about $309 (price spotted on Amazon.ca during preparation — indicative only, to be rechecked).
Who it is for: anyone starting from zero: the 2i2 interface, a condenser microphone and closed headphones in a single box.
Why it is here: to start in one move, without assembling the pieces. Note: the kit’s microphone is a condenser — it gives its best in a quiet room.
Budget: price to check on Amazon.ca.
Who it is for: the creator who wants to record and produce (editing, mixing) without buying separate software right away.
Why it is here: a 2-input USB-C interface delivered with Cubase AI (and Cubasis LE) — the honest bridge between “gear” and “software” on this page (see section 5).
Budget: price to check on Amazon.ca.
Who it is for: any host sitting at a desk: the microphone in front of the mouth, the desk free, and keyboard noise kept out of the microphone.
Why it is here: a dynamic microphone gives its best 5–10 cm from the mouth; a desk stand cannot hold that position through a whole show. The PSA1+ moves silently, holds common broadcast microphones and manages the cable inside.
Budget: price to check on Amazon.ca.
Who they are for: anyone who speaks up close into a microphone: the filter calms the “p” and “b” blasts; the mount cuts desk vibrations (typing, palm thumps).
Why they are here: they are the two cheapest fixes in a vocal chain. Several microphones on this page (PodMic, NT-USB+) already integrate part of it — check before buying twice.
Budget: price to check on Amazon.ca.
Most major audio production software (DAWs) is now sold as a download from its publisher, and the boxed versions found on Amazon.ca are often old editions. Rather than point you to an outdated box, here are the honest paths:
Gear is bought once and kept for years — but no microphone replaces a regular show. Start with what your budget allows (a Q2U and closed headphones already make a real radio), and move up when your audience asks for it. And if you want help building your complete station, that is exactly what RadioInternet does: discover the platform and everything is free.
This page is updated when the selection changes. Content prepared on October 7, 2026. The brands mentioned belong to their owners; this page is neither approved nor sponsored by Amazon or the manufacturers.
Cookies and advertising — you decide
This site can show Google ads (AdSense). To personalize and measure them, Google sets profiling cookies — only if you say yes. Without your yes, no advertising script or measurement tool is loaded: the site works the same, without personalized ads. Strictly necessary cookies (your choice itself, Chart votes, your account session) need no agreement: they make the site work. Read the privacy policy
My character
How to earn points
Start over
Start over: erases your character and your progression on THIS device only. This is final — you will have to earn your points again.
Versions
Progression through use: your real actions here move you up a version (more characters, colours, pieces) — never money, never a purchase. Each action counts once a day. Everything is kept in YOUR browser only: if you clear your browser data, the progression starts over with the starter kit. To get it back on another device: export your transfer document and import it over there (see the “Transfer your character” section below).
Its voice (your device’s own)
Transfer your character
To get your character and your progression back on another device or browser: export the document, keep it, then import it there. Everything is done by hand, by copy and paste — nothing is sent to the site: there is no automatic syncing, everything goes through this document. Importing REPLACES the character and the progression kept on this device.
Everything stays in YOUR browser: nothing is sent to the site. The character answers the site’s frequent questions with the assistant’s rules and facts, in the tone you give it.