Suno — official player
The track loads in the embedded official Suno player: play and volume are controlled in that player — Suno does not offer any external control. The RadioInternet buttons switch tracks and load the next one.
RadioInternet OS — Listen
Everything that plays on RadioInternet.ca meets here: the station’s 24/7 stream, live (further down this page), the continuous radio synchronized by the clock, and this URL to URL player — Lawrence Morel’s Suno catalogue, a shuffled radio drawn from that catalogue, or your own URLs. Each track is a reference played by its platform’s official player — nothing is hosted here, nothing is stored.
The “ON AIR” neon is part of the brand’s Poster style. This player does not broadcast a live stream: it plays tracks, one at a time, in your browser, from their official sources. The station’s live stream, though, plays further down this page.
The sleep timer lives only in the open page (nothing is stored): arming it while nothing is playing is allowed — it will stop whatever is playing when the time is up, through the same stop as the Stop button. Choosing “None” or pressing Stop disarms it.
Real player — in your browser Listening happens on your device and stops when you leave the page: this is not a radio stream broadcast by a server. The station’s broadcast stream, though, plays further down this page.
The queue is generated in random order as soon as you open Radio mode. The randomness applies only to the order: each title is a real entry from the catalogue.
Paste a YouTube URL (video, youtu.be, Shorts), a Suno URL (suno.com/song/…) or a direct audio file (.mp3, .m3u8, .ogg, .wav, .aac…). It goes into your “My URLs” queue, played by the RadioInternet buttons — a track already in your queue is not added a second time: the message tells you its position. The queue starts empty — no invented example videos. The ↑ and ↓ buttons next to a track move it up or down the queue, and the ✕ button removes it from the queue. The “Shuffle my queue” button reorders your whole queue at random in one tap — the track currently playing, if it is from this queue, keeps playing and follows its new spot. The “Export my queue (.txt)” button downloads the numbered list of your queue (titles and addresses, references only) — the queue lives only in the open page, the export is how you keep it, and the “Import a queue (.txt)” button rebuilds it here by pasting the file back (titles and markers carried over as-is). The “Clear my queue” button removes every track in one tap, but only after a confirmation step (the button asks you to confirm) — if the track playing comes from this queue, playback is unloaded cleanly. An imported track whose exported block marks it “Explicit — 18+” carries that badge in your queue and while playing, whatever its type.
Paste the contents of an exported queue file (or a plain list of addresses, one per line): each address is checked exactly like the form above and appended to your queue — duplicates and unrecognized addresses are counted and reported, never added silently. Up to 50 tracks per import.
Your queue is empty. Paste a URL for the first track.
Creators — the radio is yours
You create on Suno, on YouTube or on another platform? Drop your song’s link here: every submission is VERIFIED before broadcast — we make sure the song is really yours, then a human listens and decides. Nothing to upload, just your official links: that’s the “URL to URL — Drop Your Song” spirit.
How verification works: after you submit, we give you a unique code. You add it to your song’s description, on your platform — only the account owner can edit that description, that’s your proof. An approved Suno song can enter the radio stream; an approved YouTube video is featured with the official YouTube player (we never download your music).
Enter your verification code and the email of your submission to see its real status — pending, approved or declined —, where the ownership check stands, the links exactly as recorded, the platform and your declaration exactly as recorded, the version of the property declaration text you accepted, how many days passed between its submission and its decision if it has been decided, how many days passed between its submission and the latest ownership check of its song if a check took place, and — if your song is approved — its broadcast mode, whether it is in the site’s Library catalogue, the regional section it appears in there, if it has been updated since it entered, the date of its last catalogue update and, if it appears there under a different title than the one on your submission, the title it appears under there and, if it appears there under a different artist name than the one on your submission, the artist name it appears under there and, if it appears there under a different platform than the one on your submission, the platform it appears under there and, if it is in the catalogue, how many songs that catalogue is made of and, if it is there, its position in that list (artist, then title) and, if it appears there in collections, how many songs each of those collections holds and, if it appears there in described collections, the description of each of those collections and, if it appears there in collections created on a recorded date, the creation date of each of those collections and, if it appears there in collections created on a recorded date, how many days each of those collections has existed and, if it is in the catalogue, how many collections that catalogue is made of in all and, if it appears there in collections, at which place each of those collections stands in the collections list (set order, then name) and, if it appears there in counted collections, at which size rank each of those collections stands among the counted collections in the catalogue and, if it appears there in collections created on a recorded date, at which seniority rank each of those collections stands among the dated collections in the catalogue and, if it appears there in collections created on a recorded date, how many days more recent each of those collections is than the oldest dated collection in the catalogue and, if it is there, how many days it has been there and, if it is there, how many days passed between its approval and its entry into the catalogue and, if it has been updated there, how many days passed between its entry into the catalogue and its last update and, if it is pending, how many calendar days it has been waiting and, if it was declined, how many calendar days ago that decline was decided and, if your song is approved but is not in the catalogue, how many calendar days ago its approval was decided.
While your submission is still pending review, you can fix your song’s link — or only your profile link, or only your “explicit” declaration, or only your title or your artist name — with your code and your submission email. If your song’s link changes, the ownership check will start over: your code will need to be at the start of the song’s description on the NEW link. If you only fix your profile, your declaration, your title or your artist name, the check is untouched: your code lives in your song’s description, not your profile’s. A submission that has already been decided can no longer be corrected — and correcting decides nothing: the review stays human.
How it really plays
The track loads in the embedded official Suno player: play and volume are controlled in that player — Suno does not offer any external control. The RadioInternet buttons switch tracks and load the next one.
Via YouTube’s official IFrame API, our buttons do it all: Play/Pause, Stop, Next and volume. The video title displayed comes from the YouTube API itself.
An audio file (.mp3, .ogg, .wav…) or an .m3u8 stream is played by the browser at its original address, fully controlled by the RadioInternet buttons. The file stays with its host.
URL to URL doctrine: nothing is stored here — each track is a reference played by its platform’s official player (Suno, YouTube via its IFrame API, or the audio file at its address). Catalogue: public census of the Suno profile @lawrenceqc (12 playlists, 470 entries).
The three modes
The catalogue is for choosing. You see the twelve playlists of Lawrence Morel’s Suno profile — four hundred and seventy entries in all — and you play the song you want to hear, when you want to hear it. The queue fills in the list’s order, and you can skip forward or go back. This is the “I know what I’m looking for” mode.
The shuffled radio is for discovering. The site takes the same four hundred and seventy entries, shuffles them, and serves you a queue you did not choose track by track — like a real radio, except the repertoire is the work of a single creator. About three hundred and ninety-six distinct songs rotate in this mix. You listen, you let it come, you land on titles the catalogue would never have shown you first.
My URLs is for YOUR listening. You paste the addresses of your own sources — a Suno song, a YouTube video, an audio file hosted somewhere — and the player chains them in the order you give. Your list lives in your browser, on your device; it can be saved to a file and reloaded later. Nothing you paste here is uploaded or kept by the site.
The station, non-stop
Continuous radio
Lawrence Morel’s 18 songs, in continuous rotation, synchronized by the clock: right now, everyone hears the same song at the same point — like a real radio. This player drives the play bar at the bottom of the page: the music keeps going as you browse the rest of the site.
Honest labelling: this continuous radio plays the song files from this site, synchronized by the clock — it is not the server broadcast stream (ShoutCast), whose real status is described in the next section.
Titles marked “Explicit — 18+” contain language or themes intended for adults.
Broadcast stream configured
The station’s stream address is configured (Customizer → “Stream player”): the player below plays that broadcast stream — the address set in the Customizer, in the “Stream player” section. Press Play to listen to it.
If the broadcast server is silent at that moment, the player will not emit any sound and may report an error: that is the real state of the stream, never an invented sound.
Transparency — rights: the songs broadcast on this stream are original creations by Lawrence Morel, made with Suno. He owns the rights and broadcasts them on his own station.
Two kinds of listening, two natures — and this page does not blur them. The URL to URL player above is your personal player: it plays in your browser and stops when you close the page. The station stream, on the other hand, is fed server-side: it plays around the clock whether you are there or not, and the continuous radio in the bar is synced for every listener at the same moment. A server stream in YOUR name is not part of the site today. The day it passes its end-to-end test, this page will announce it right here. Not before.
The listening bar keeps your source and your current listening on your device only, so the sound follows you from page to page. None of that listening is sent to your account: on another device, you start again from the main station.
The URL to URL player at the top of this page is your personal listening: paste your addresses, or use the Platform’s Builder to align them into a station of your own.
You are already listening to it: the station’s stream and the clock-synced continuous radio are this page’s very subject — the Listen page of RadioInternet.ca gathers the station and its three listening modes.
Listening costs nothing here, signing up costs nothing: the Pricing page spells out the model — everything free, one single paid exception, and nothing that renews on its own.
The Contact page reaches the team directly, and the AI Receptionist page shows you the voice demo that answers visitors in the browser.
The player already plays; the rest of the platform does too: build your station in the Platform, analyze a URL with the Link Analyzer, or see what is coming on the Music page — Lawrence is in the studio, new songs are on the way.
Cookies and advertising — you decide
This site can show Google ads (AdSense). To personalize and measure them, Google sets profiling cookies — only if you say yes. Without your yes, no advertising script or measurement tool is loaded: the site works the same, without personalized ads. Strictly necessary cookies (your choice itself, Chart votes, your account session) need no agreement: they make the site work. Read the privacy policy
My character
How to earn points
Start over
Start over: erases your character and your progression on THIS device only. This is final — you will have to earn your points again.
Versions
Progression through use: your real actions here move you up a version (more characters, colours, pieces) — never money, never a purchase. Each action counts once a day. Everything is kept in YOUR browser only: if you clear your browser data, the progression starts over with the starter kit. To get it back on another device: export your transfer document and import it over there (see the “Transfer your character” section below).
Its voice (your device’s own)
Transfer your character
To get your character and your progression back on another device or browser: export the document, keep it, then import it there. Everything is done by hand, by copy and paste — nothing is sent to the site: there is no automatic syncing, everything goes through this document. Importing REPLACES the character and the progression kept on this device.
Everything stays in YOUR browser: nothing is sent to the site. The character answers the site’s frequent questions with the assistant’s rules and facts, in the tone you give it.