Listen to the radio
The RadioInternet.ca 24/7 stream, live — and the sound never cuts from page to page.
ListenRadioInternet.ca · Radio OS Quebec
Create. Produce. Broadcast.
The radio from here. Everywhere in the world.
RadioInternet.ca connects audio production, library, scheduling, control room, player, automation and analytics in a single flow — and its demo station really plays: a live 24/7 stream and a clock-driven continuous radio, with sound that never stops from page to page.
On air now · the station’s 24/7 stream is playing live, the continuous radio runs by the clock — and the sound never stops from page to page
Everything is free · no card required · for everyone, until further notice
Live — on air now
›The station player plays at the bottom of the screen and never cuts from page to page. What plays next is in the schedule guide.
Latest blogs
Newsroom columns: AI music, tech, showbiz and local news.
Read the blogsStudio & creation
Radio Builder, scheduling, control room and audio studio: the tools to create your station, free.
Open the studioLatest posts
›
Les outils de RadioInternet
Les sondages et votes en direct : fais voter ton monde pendant l’émission
octobre 24, 2026
Sports
Le voyage du Canadien : ce que la victoire de Chicago nous dit vraiment
octobre 24, 2026
Sports
Sports du samedi 24 octobre 2026 : le Canadien rebondit à Chicago
octobre 24, 2026
♪ Music
Lawrence’s music
The 12 public Suno playlists and the complete song catalogue, to listen to one by one — plus the visitor-voted chart.
Free tools
›Services
›Suno Course
The big Suno tutorial, in local French, free.
Free
StartRadio OS
The complete ecosystem for your web radio.
Free
ExploreEverything is free
Free account, no card required: the complete ecosystem, for everyone, until further notice.
Create my free accountWatch & read
›
The station chart
The TOP40 bank songs, voted by visitors — vote for your favourites.
Trending
140+
published posts
1 568
verified Suno songs
41
interviews done
30+
years in the trade
Why RadioInternet.ca
Free listening
The radio and the tools, free for everyone.
Community
A community that makes music come alive.
No card required
No card needed to listen and create.
On air 24/7
The station stream plays around the clock.
Made in Lévis
A local station, designed and produced in Quebec.
Contest — Your song featured
The station contest: your song could be featured on RadioInternet.ca. Details and the entry form are on the contest page.
The journey
Your radio in 5 steps.
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Connect
Analyze an address and know what it is worth before you build on it.
Open Link Analyzer → -
Organize
Assemble your station, source by source, in the Builder.
Open the Builder → -
Program
Build your clock: who plays, when, and in what order.
Open Programming → -
Broadcast
Hear the engine: the 24/7 stream and the clock-driven continuous radio, live.
Listen live → -
Welcome
The AI Reception welcomes your listeners and files every request in the right place.
Meet the Reception →
Quick access
Your tools, one tap away.
Radio OSThe complete system to build and broadcast your radio.Audio StudioRecord and edit your voice, right in your browser.Video & CreationClips and videos that bring your radio to life.Characters150 characters to discover, one universe at a time.GamesQuizzes and mini-games: points and fun, no money.Drop your musicSend your song: it could play on the radio.
The blog
The RadioInternet Magazine
Les outils de RadioInternetLes sondages et votes en direct : fais voter ton monde pendant l’émissionLance des sondages et votes en direct pendant ton émission RadioInternet : question du jour, résultats à l'antenne et public qui participe vraiment.SportsLe voyage du Canadien : ce que la victoire de Chicago nous dit vraimentOctober 24, 2026SportsSports du samedi 24 octobre 2026 : le Canadien rebondit à ChicagoOctober 24, 2026Bande dessinéeBD nº 29 — La nuit des dédicacesOctober 24, 2026Bande dessinéeBD nº 28 — Le casque du directeurOctober 24, 2026The newsroom
Our bylines
The voices of the RadioInternet Newsroom: each with her or his beat, each with a tone.
One station. 1000 possibilities.
Dare to go where no one will go.
Discover: the station, its voices, its worlds.
Discover is the front door of RadioInternet.ca. Here you will find the main station — its 24/7 live stream and its continuous radio, clock-synced, the same for everyone at the same moment — Lawrence Morel’s music (a public Suno catalogue of 12 playlists and 470 entries, played through the official players), the local artists (Caya, Rick, Martin Show, Caroline), and the 150 characters of the station’s 24 universes, each with a face, a role and a story. Nothing here is window dressing: every card leads to something that plays, reads or can actually be tried.
What’s new
The latest.
Lance des sondages et votes en direct pendant ton émission RadioInternet : question du jour, résultats à l'antenne et public qui participe vraiment.
Après la défaite contre San Jose et la victoire à Chicago, trois leçons prudentes sur le voyage du Canadien : constance, profondeur et défense.
Le Canadien gagne 4-1 à Chicago vendredi soir et amorce son voyage de 4 matchs du bon pied, après la défaite 4-3 contre San…
Douze heures de dédicaces en direct, un poisson rouge nommé Bubulle et une nuit qui dérape gentiment. La BD nº 29 du studio RadioInternet.
Le directeur parade avec son casque doré flambant neuf, mais sa voix sort comme dans un tuyau. Une BD hilarante du studio RadioInternet.
Alexandre St-Hilaire, chasseur de fails : l'aspirateur robot coincé sous le divan, un câble en trophée, et trois gestes pour la paix des ménages.
The RadioInternet OS
Much more than a web radio station.
The radio core stays central, but the ecosystem also connects audio production, storage, AI, video, voice, AI Reception, automation, analytics, training and infrastructure. And the main station is really on the air: its 24/7 stream is verified live, and its continuous radio plays on every page of the site.
One single promise, understood in five seconds: RadioInternet.ca lets you create, program, broadcast and grow your radio station. Everything else — services, modules, tools — fits under that promise.
Main station
One station. One engine.
RadioInternet.ca’s public experience rests on a single main station, powered by the same engine: library, programming, playout and player. The engine can power other schedules, but public listening stays one coherent station. The station draws from its own music pool and from the same network banks of jingles, segments, capsules and ads, according to the programming clock. An external pool remains a reference until it is turned into authorized, playable media.
Own music pool
The main station programs from its own music pool, prepared in the Library.
Shared network banks
Jingles, segments, capsules and ads come from the shared network banks, inserted according to the programming clock.
Real status
Its status is read from the server: a “LIVE” badge, the current title and the real listener count — verified, never shown by default.
The player
Listening that continues, page after page.
The main station player is designed to stay with you while you browse: play and pause, previous and next track, remembered volume and automatic queue playback. Changing pages doesn’t stop the listening.
Illustration — the real player is the bar at the bottom Player mockup — an illustration, not a player. The station’s real player already plays: the fixed bar at the bottom of every page plays the continuous radio (the site’s songs, synchronized by the clock) and the station’s 24/7 broadcast stream (Shoutcast) — you pick the source in the bar, and the sound never stops when you change pages.
NOW / NEXT / QUEUE
The rundown stays visible: what’s playing, what’s next, what’s coming — powered by the station’s real programming.
Remembered volume and station
The player remembers your volume and your listening from page to page, on mobile and desktop alike.
Honest errors, real reconnection
If the stream drops, the player says so and reconnects — no fake “live,” no spinner spinning in the void.
One single path, from idea to on air.
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Connect
Analyze a source and distinguish a reference, a web page and a testable media file.
Open Link Analyzer → -
Organize
Import, sort and prepare authorized media in the Library.
Open the Builder → -
Program
Local schedule, server programming and upcoming queue.
Open Programming → -
Broadcast
Liquidsoap → Icecast → player only after the stream is validated.
The broadcast engine → -
Welcome
AI Reception centralizes listener requests, support, artists and media.
Meet the Reception →
The services
Ten services. One single ecosystem.
The whole platform is organized into ten services — the same ones that structure Maurence’s ecosystem. Every card below leads to a real destination: the Platform section where the module works — the Control Room and Audio Studio are built in and open there, with no account or request — or which presents its status, the Music page (Submit your music), Reception (Contact page) or the distribution hub on this very page. No card leads to a page that doesn’t exist.
Automation Touch
The control-room cockpit: queue, hourly schedule, cartwall and statistics, together on mobile, tablet and Web.
Studio Audio
Record, edit, process and master your productions — then send them straight into the Library.
Video Studio
A text or an image becomes a real animated video clip, generated from your free account — the page is in French for now.
Jam Studio
A session room in the browser: camera, microphone, tempo, key and chat to create together.
Podcast & Voice
Podcasts, voice tracking, jingles and audio branding, with the community voice bank — every voice with its owner’s consent.
WebTV & Clips
WebTV and clip factory: your audio content becomes share-ready visual formats, including vertical ones — the page is in French for now.
Social distribution
Prepare your posts once and share them to your social platforms from a single hub.
Submit your music
Submit your song — Suno, YouTube or another platform: ownership verified by code, human review, then broadcast on the station if approved.
AI Reception & CRM
A front desk that qualifies every request — listeners, support, artists, media — and files it in the right place.
Sites · Google · Media
Website creation, Google presence and media management, connected to the same platform as your radio station.
Available right now
What’s real, right now.
No “available in theory” cards: here is what already exists at RadioInternet.ca and is in use today.
6 free tools
The six written sheets in the directory: public weather and geocoding, radio streams from around the world, browser voice, our blog, Suno creations and open formats.
Link Analyzer
The tool that classifies your URLs: reference, web page or testable media — it analyzes and tests locally, in your browser. The starting point of the URL to URL engine.
Platform Analytics
Real measurements only, on the Platform page: the listening counters from your own device and the measures counted server-side. No invented audience.
Scratch Lab
RadioInternet.ca’s scratch laboratory: vinyl, pitch, gain and styles, right in the browser — plus the Battle and Collaboration modes, live for two through WebRTC session codes.
Transcription
A recording becomes text — meeting, interview, dictation — right in your browser: the audio never leaves your device. Exports to text, Markdown and subtitles (SRT, WebVTT). The tool page is in French for now.
Lawrence Morel’s music
New songs are coming: Lawrence is in the studio. In the meantime, his catalogue remains listenable on his official Suno profile — and the radio plays right here, around the clock.
Press room
RadioInternet.ca’s official press releases — verified facts only, marked up for search engines and AI platforms.
Formation Suno Québec
123 articles on the RadioInternet.ca blog: the Formation Suno Québec series (73 articles, including the 13 “How it works” guides and the complete Suno 6.0 tutorial in 19 articles) and the 50 tool articles — learn to create, then broadcast.
Participate: submit, suggest, vote, earn your place on air.
RadioInternet.ca is not a radio you only listen to — it is a radio you feed. Submit your music (a human reviews it before it plays), suggest songs to the Listeners’ Radio, vote in Top / Flop, answer polls, duel in the Music Battle, play quizzes and mini-games for points (never money), and enter Contest No. 1, open until November 2, 2026, with a publicly verifiable draw. Every entry lives in your member space, with your badges and your rank.
Creators — the radio is yours
Drop your music.
You create on Suno, on YouTube or on another platform? Drop your song’s link here: every submission is VERIFIED before broadcast — we make sure the song is really yours, then a human listens and decides. Nothing to upload, just your official links: that’s the “URL to URL — Drop Your Song” spirit.
How verification works: after you submit, we give you a unique code. You add it to your song’s description, on your platform — only the account owner can edit that description, that’s your proof. An approved Suno song can enter the radio stream; an approved YouTube video is featured with the official YouTube player (we never download your music).
Already submitted a song?
Enter your verification code and the email of your submission to see its real status — pending, approved or declined —, where the ownership check stands, the links exactly as recorded, the platform and your declaration exactly as recorded, the version of the property declaration text you accepted, how many days passed between its submission and its decision if it has been decided, how many days passed between its submission and the latest ownership check of its song if a check took place, and — if your song is approved — its broadcast mode, whether it is in the site’s Library catalogue, the regional section it appears in there, if it has been updated since it entered, the date of its last catalogue update and, if it appears there under a different title than the one on your submission, the title it appears under there and, if it appears there under a different artist name than the one on your submission, the artist name it appears under there and, if it appears there under a different platform than the one on your submission, the platform it appears under there and, if it is in the catalogue, how many songs that catalogue is made of and, if it is there, its position in that list (artist, then title) and, if it appears there in collections, how many songs each of those collections holds and, if it appears there in described collections, the description of each of those collections and, if it appears there in collections created on a recorded date, the creation date of each of those collections and, if it appears there in collections created on a recorded date, how many days each of those collections has existed and, if it is in the catalogue, how many collections that catalogue is made of in all and, if it appears there in collections, at which place each of those collections stands in the collections list (set order, then name) and, if it appears there in counted collections, at which size rank each of those collections stands among the counted collections in the catalogue and, if it appears there in collections created on a recorded date, at which seniority rank each of those collections stands among the dated collections in the catalogue and, if it appears there in collections created on a recorded date, how many days more recent each of those collections is than the oldest dated collection in the catalogue and, if it is there, how many days it has been there and, if it is there, how many days passed between its approval and its entry into the catalogue and, if it has been updated there, how many days passed between its entry into the catalogue and its last update and, if it is pending, how many calendar days it has been waiting and, if it was declined, how many calendar days ago that decline was decided and, if your song is approved but is not in the catalogue, how many calendar days ago its approval was decided.
Wrong link?
While your submission is still pending review, you can fix your song’s link — or only your profile link, or only your “explicit” declaration, or only your title or your artist name — with your code and your submission email. If your song’s link changes, the ownership check will start over: your code will need to be at the start of the song’s description on the NEW link. If you only fix your profile, your declaration, your title or your artist name, the check is untouched: your code lives in your song’s description, not your profile’s. A submission that has already been decided can no longer be corrected — and correcting decides nothing: the review stays human.
Social distribution
One hub to share everywhere.
Producing isn’t enough: you have to be heard. The distribution hub is part of the same path as production — when content is ready, it is prepared once and shared to your platforms, without starting over in ten separate apps. The hub brings together more than twenty social destinations.
Prepare once
The same content, adapted to each platform’s formats — including WebTV & Clips vertical clips.
Share everywhere
Your links go out from the ecosystem, with each source’s official players — the URL to URL philosophy, applied to distribution just as to programming.
Everything stays connected
Every share points back to your station and your statistics, instead of scattering your audience across closed silos.
Free
Everything is free.
Every RadioInternet.ca service is free, for everyone, until further notice: listening, the platform, the tools, the training — and the account, which gives full, permanent access. No card, no expiry.
Why RadioInternet: give everything away, and let listening pay.
The model is simple, and it is written in plain sight: everything is free for everyone, with no time limit, until further notice. No plan, no wall, no card required. The house aims at a different revenue: the audience. The more people come, stay, listen and return, the more the site’s advertising (Google AdSense, under review at Google) can earn. One single exception, stated openly: the Super Button, a done-for-you service at $599 to launch your complete radio in one click — and even it keeps its free, step-by-step path. Everything else is given, because listening is what pays.
Why RadioInternet.ca
An ecosystem instead of a collection of tools.
The goal isn’t just to host a stream. The path connects authorized import, audio production, storage, programming, rundown, playout, player and analytics in the same environment.
| Need | RadioInternet.ca | Fragmented approach |
|---|---|---|
| Connect sources | Link Analyzer + Builder | Separate setup |
| Produce audio | Studio Audio | External software |
| Program | NOW / NEXT / QUEUE cockpit | Another dashboard |
| Audio, video, voice | Media Suite | Multiple tools |
| Distribute content | Built-in social distribution hub | One app per platform |
Testimonials & proof
No fake reviews. Verifiable proof.
“Dare to go where no one else will.”
Main station — on air
The main station is presented in the same ecosystem, powered by the same engine. External playlists remain music references and are never presented as direct radio streams.
2026 Comparison
Aiir, Live365, RadioKing, Radio.co and AzuraCast are compared publicly with their real strengths.
FAQ
The important questions.
Is it just a playlist?
No. The system connects a library, programming rules, a rundown and a player around authorized sources.
Can I start without a card?
Yes — everything is free here, so there is nothing to pay to get started. You create your account online with a username and a password (email is optional), and you get access to the whole ecosystem, right away and for good: no payment is wired up on this site and nothing will renew on its own. The house’s only paid offer — the Super Button instant launch, $599 — is a “done for you” service whose free path gives exactly the same radio.
Are all features final?
No. The site only shows what really works, rather than presenting fake LIVE statuses.
How does my radio station end up on social media?
The Social distribution service prepares your content once and shares it to your platforms from a single hub, connected to your station rather than to separate apps.
Who is responsible for music rights?
You must make sure you hold the necessary permissions and respect applicable licences and royalties.
Contact
Let’s talk about your radio station.
A question about the platform, a station project: one form — and AI Reception files every request in the right place.
Start now · everything is free
Your radio station could be next.
Import → Library → programming → playout → player → analytics.
No fake countdown. No invented urgency. Create your account online: everything is free, right away — and no payment is taken on this site.